1/17/2024 0 Comments Movies in pre production 2015Image: Steadicam Operator Chris Haarhoff on set of Birdman, via Check out the constantly evolving role of a DIT. DITs have a deep technical knowledge of all things digital like cameras, codecs, laptops, monitors, and more. They then send uncompressed files to the editors and make compressed file dailies for the director. They receive the camera’s memory cards and immediately dump and backup footage. The DIT manages all data and file distribution. The digital imaging technician is responsible for image quality control, on-set color correction, and managing a production’s workflow. Image: Digital Imaging Technician Von Thomas, via Digital Tech NYC ![]() The position is not very common on set, as 2nd ACs typically manage memory cards and give them directly to the DIT. They work alongside the digital imaging technician to manage the digital data. Digital loaders manage inventory and back up footage. The film loader puts the footage back into the light-tight canister and labels it for transport to the development lab.Ī digital loader works with memory cards, rather than film stock. When the 2nd AC finished a reel, the film loader would then take the footage back to their dark room or tent. They would then give the magazine to the 2nd AC, who would put it on the camera. They would go into a dark room to open light-tight canisters of film stock to load into the magazine. Historically, the film loader was responsible for putting film into camera magazines. The loader is responsible for the actual medium that the camera shoots on, whether film stock or digital cards. Image: Film Loader Milan Janicin on set of Transformers, via Edwards Air Force Base This is recorded for any future pick-up shots or reshoots. They update camera reports with camera settings, like aperture and focal length. The second assistant camera will also tape down camera marks, the points where actors will perform. The 2nd AC also oversees the transportation of camera equipment from one location to another. They note when film stock is received, used, and sent for development. They also load film stock into camera magazines if there is no film loader on set. ![]() The 2nd AC operates the clapperboard at the beginning of each take. The second assistant camera works directly with the 1st AC. Second Assistant Camera (2nd AC, Camera Loader, Clapper Loader)Ģnd AC Geraldine Brezca on the set of Inglourious Basterds They must be able to keep focus by paying attention to the distance between a subject and the camera. Most notably, the 1st AC should not look through a lens. If shooting on film stock, the list will also contain the contents of each exposed reel. The dope sheet is a camera report that lists scenes that have already been shot. They are also responsible for updating the dope sheet. On-set, the 1st AC will build the camera, swap lenses, and move it from shot to shot. During pre-production, the 1st AC will go to rental houses to test gear and make sure everything is ready on schedule. They are in charge of the maintenance and care of all cameras. During a shoot, the 1st AC is responsible for keeping the camera in focus. The first assistant camera is in charge of the camera department. If the DP has assigned another person to run the camera, or if multiple cameras are being used at once, the other cameramen are simply called camera operators.įirst Assistant Camera ( 1st AC, Focus Puller, Assistant Cameraman, B Camera) The best DPs are invited to be part of the American Society of Cinematographers (ASC). The director of photography in the credits is the chief cinematographer. When a DP is the cameraman, they are typically referred to as a cinematographer.Ĭinematographer and director of photography are used interchangeably. A director may assume this position for certain shots, but the director of photography is typically the camera operator. This position varies on every set and for every shot. They are the person behind the lens and controlling the camera. The camera operator, or cameraman, is the person who actually operates the camera. Image: Cinematographer Emmanuel Lubezki, via They will then work with these departments to choose cameras, lenses, filters, shot composition, light design and setup, and any necessary gear. The film’s director will tell the DP how they want a shot to look. The director of photography ( DP or DoP) manages the camera department, lighting department, electrical, and grips. Image: Director of Photography Roger Deakins on set of Skyfall, via Among those departments is the camera crew. The senior creative crew member after the director is the director of photography, who will achieve the look of the film using the various departments they manage. The camera is the most important tool on set. ![]() Here are the responsibilities of each crew member. A film production’s camera crew is responsible for setting up and using the camera.
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